The tension keeps building, right to the end. Proving yet again that in movies, even though the space may get smaller, the picture doesn't have to.. A bigger problem lies with Leigh Whannell's script, which utilizes so many flashbacks and explanatory inserts that the tension, a defining feature of the first Saw, is lost.. Even splatter-film buffs should be offended by this piece of nonsense: Not because it's so gross, but because it's so dumb.. Because of its efforts to make sense of the previou...
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