Where Corneau flirted with erotic tension, De Palma flaunts it. Where Corneau went for nightmarish reality, De Palma does noirish dreams.. it will no doubt find its boosters. Entrancing and narcotizing in about equal measure.. In a film that isn't so good ... excess becomes a lot less enjoyable. And "Passion" isn't so good.. Despite De Palma's lavish proof of what he can accomplish with classical technique, the movie comes off as too much for too little, a collection of mechanisms that decorate ...
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