Alfredson directs with a perceptive eye and a roving camera, using oblique angles for a script that unfolds with programmatic efficiency.. . ...the first picture's ferocity remains intact here, as do its fetishes regarding political corruption, sexual violence and the riveting [Noomi] Rapace.... . To buy this picture, you have to buy Jolie's character, and the actress succeeds much of the time. But once her contained, job-obsessed agent gets involved with a man close to her case, much of what ca...
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